Christine Ross

Christine Ross is Distinguished James McGill Professor in Contemporary Art History at McGill University. She is the author of The Past Is the Present; It's the Future Too: The Temporal Turn in Contemporary Art and The Aesthetics of Disengagement: Contemporary Art and Depression.

  • Art for Coexistence

    Art for Coexistence

    Unlearning the Way We See Migration

    Christine Ross

    An exploration of how contemporary art reframes and humanizes migration, calling for coexistence—the recognition of the interdependence of beings.

    In Art for Coexistence, art historian Christine Ross examines contemporary art's response to migration, showing that art invites us to abandon our preconceptions about the current “crisis”—to unlearn them—and to see migration more critically, more disobediently. Viewers in Europe and North America must come to see migration in terms of coexistence: the interdependence of beings. The artworks explored by Ross reveal, contest, rethink, delink, and relink more reciprocally the interdependencies shaping migration today—connecting citizens-on-the-move from some of the poorest countries and acknowledged citizens of some of the wealthiest countries and democracies worldwide.

    Alejandro González Iñárritu, Laura Waddington, Tania Bruguera, and others, demonstrate art's power to mediate experiences of migration. Ross argues that art invents a set of interconnected calls for more mutual forms of coexistence: to historicize, to become responsible, to empathize, and to story-tell. Art history, Ross tells us, must discard the legacy of imperialist museology—which dissocializes, dehistoricizes, and depoliticizes art. It must reinvent itself, engaging with political philosophy; postcolonial, decolonial, Black, and Indigenous studies; and critical refugee and migrant studies.

    • Hardcover $38.00


  • Aesthetics of Standstill

    Aesthetics of Standstill

    Reinhold Görling, Barbara Gronau, and Ludger Schwarte

    Essays consider the temporality and the aesthetics of “standstill.”

    "Standstill” could be the name for the kind of experience that is the hiatus between social expectations and real possibilities of agency. Standstill may also be the name of an aesthetic strategy to instill a nonlinear time of resistance and experience into the political protocol of progress. Finally, standstill can be the name for the temporal fissure in the midst of the subject, for the lapse between the subject of the enunciation and the subject of a statement, the limit that is the border between the inside and the outside. It can be the name for the mode of potentiality, for the moment of gesture, or, with Walter Benjamin, the medium of the dialectical image. The essays of this book traverse these dimensions of standstill as an in-between of time.

    ContributorsGeorges Didi-Huberman, Reinhold Görling, Barbara Gronau, Adrian Heathfield, Erika Fischer-Lichte, Oliver Marchart, Rita McBride, Christoph Menke, Aernout Mik, Misha Kavka, David Lapoujade, Mirjam Lewandowsky, Via Lewandowsky, Peter Osborne, Christine Ross, Marcel Odenbach, Jacques Rancière, Ludger Schwarte, Martin Seel

    • Paperback $28.00